Josh DionA few years ago I saw this great drummer playing at BB King’s whose style impressed me. They introduced him but I didn’t catch or couldn’t remember his name at the end of that show. I did however remember the funny faces he was making while playing (he looked like Francesco Basile, another good friend of mine who’s a good drummer at Berklee and makes faces like that too) and I did remember that he was wearing a Shawn Pelton-style leather hat dropping form one side…

I hadn’t forgotten about the promising musician but I didn’t know where he lived so I thought I’d either never see him again or (if he lived in NY) I’d cross paths with him again at some point. Sure enough newly acquainted NY-based singer Kristen
Maxfield told me about this amazing drummer that sings while he plays drums and recommended that I’d check him out. I looked him up on the web and there he was: I recognized the face and the hat right away! So Josh Dion was his name and it was obvious now I had to go see him.

I am usually a Lower EastSide kinda guy but on this night (after I checked out the beginning of the monthly Warper Party) I set out to the West Village. That hood is happening! Nothing new, of course, but the village really felt like it had that old school live music charm to it that even the LES sometimes doesn’t quite have. I went to the Bitter End and saw Josh Dion’s set. Needless to say he killed it! Bass, guitar, keys and a background vocalist plus his essential four piece + ride + crash drum kit slapped in the middle of the decent sized stage. I take my hat off to the minimal drum kit because I can think of many other great drummers that wouldn’t even play if they didn’t have 2 snares, 5 toms and 10 cymbals! Less is more! But wait… he sings! Obviously there aren’t too many bands like that out there, but Dion’s band does it right. He has a great voice and knows how to keep the crowd happy and entertained (there is never a dull moment in his show and even if there was his faces would make up for that). This groovy cat is right on the money and smacks R&B/Funk/Blues rhythms in the pocket, barefoot while making funny faces and singing great songs! And that is one other very important thing here… Sure, Josh can play, he can sing too, but he’s got great catchy songs, which once again proves that ultimately, it is all about the song!

The one other time I felt that excited about an unknown/unsigned drummer was when I saw Nikki Glaspie playing the shit out of her drums with Martin Luther… My instincts told me she was dope and she was gonna make it big so I had gotten her number and called her up to hire her for a project two months later, but she had just been discovered by Beyonce’s talent scouts so unfortunately we never got to work together… but that’s another story… I hope Josh gets what he wants out of his life as an artist, he certainly seems to be on the right path!

What a great night out!

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha