Brazilian GirlsI had a great weekend and a busy Sunday. I hopped around town to catch wind (no such luck) and great shows (much better luck). The Brazilian Girls opened my afternoon with their fairy Summer Stage performance made of naked front(wo)man dressed in tight dragonfly outfit with wings, moogified dreadlocks, sweaty bouncing fans and guest stage appearance by The Himalayas (a marching band made up of more than a couple dozen roaming players conducted by Electric Masada’s drummer Kenny Willeson and saxophonist Jonathon Haffner).

I’ve seen the Brazilian Girls a few times and although they played largely the same repertoire again the quartet is still keeping fans dancing happily. Their cosmopolitan sound and trend-setting attitude irradiated the sun-bathing audience with a melange of electronic beats, fuzzy bass lines, cozy harmonies, light-hearted and funny lyrics and so on and so forth. Brazilian Girls are one of the very few bands (I can only think of the Young Gods right now) who sing in English, French, German and Spanish. Their international melting-pot flavor would work so well in the European scene, I am surprised their main audience is American (I guess new yorkers are European at heart, or as diversified as it gets in the US anyway)…

Chris IsaakAfter letting the strong 6pm sun turn my white neck into a red neck (no worries, that’s about the extent of my transformation), I took shelter in the shade of the Fillmore at Irving Plaza for a private performance by Chris Isaak. His performance was as glittery and shiny as his suits are and Isaak was amicable and genuinely nice during the show as well as after, when he actually took the time to talk with people briefly. The guy just has that charisma and that charm that so very few people possess and when you couple that with his songwriting and his warm voice he really makes you think you are the presence of a new “king”…

Chris Isaak guitarHe played his hits backed by a great band (the same guys he’s been touring with for 20 years). Three suits, three guitars, a mellow and intimate acoustic moment and the tradition of the nitty gritty lush rock and roll sound that made him the bright and slick star of Las Vegas and beyond (and with that tradition in mind, he had a bunch of random women get on stage and dance). A little over one hour of great music and great fun ended this night in the best of ways.

The concert was a benefit event with a silent auction. The main item being auctioned was a Gibson Epiphone Mr. Isaak drew all over both sides with a sharpie (way beyond the usual autograph). I did bid on the guitar, twice, but I didn’t get it in the end… Bummer!

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  One Response to “Brazilian Girls opening for Chris Isaak”

  1. Hi good afternoon my friends, nice image. i like brazilian girles

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha