It was really Korn on the Pier, Pier 17 at South Street Seaport to be exact. A free show (only 30 minutes, you get what you pay for…) several hundred of people came out for… The sun was baking and the water bottles were flying (a real airborne fight of Poland Spring water bottles broke out at one point before show!) and when Korn finally took the stage the fans went crazy and the mosh pit followed suit!

I had never seen Korn before. The five-piece band played a good, tight and aggressive show made of walls of guitar, the oh so characteristic distorted bass sound that pretty much defines their sound, machine(gun)-precision drumming, occasional keyboard drones and the screaming voice of the front man wearing an Irish kilt, drinking out of a goblet and holding on to his uber-cool cast aluminum microphone stand designed by my favorite artist: the Swiss H.R. Giger (hint hint: Alien). The sound of Korn live is aided by an albino background screamer+percussion player and second guitar player (gotta stack the bricks for that wall of guitars!).

I never really bothered to pay attention to their lyrics (admittedly it is a little hard sometimes…) but I think this was the first time in my life as a straight guy that I’ve heard so many people at once screaming the words “Suck my Dick and Fucking Like It!” …so I looked up the lyrics to this “Faget” song and I still can’t really figure out for sure if they are a bunch of homophobic racists or if they are trying to sing against discrimination… I sure hope it’s the former cause I saw a lot of people in tight leather pants at the show! ;-)

The other words that really stood out loud were “Are You Ready?” which marked the beginning of a short-lived but absolutely insane and massive head-banging, body-slamming, crowd-surfing, leg-overturning, sure-to-be-injury-provoking mosh pit slam-dance (I recall my days at the punk shows in Italy!). “Are You Ready?” concluded the short show but by then everyone was satisfied ’cause Korn made sure to play all of their hits and of course introduce their new album “Evolution” (out today).

I checked the show out from the Pier 17 restaurant stairs where I had a good general overview of it all… I think the only bad thing about that particular spot were these obnoxious tourists who fueled an argument with every bystander who stood in their line of sight while they were comfortably sitting at a table expecting everyone to be out of their way so they could enjoy the show seated. They claimed a whole entire balcony for themselves and even had the balls to block it off to other people who could have seen the show from there without even interfering with them… Allegedly the restaurant charged them $30 for those seats (which I am not sure is really a legal thing to do at a free show…). Shame on them and the restaurant!

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha