Aside from being one the most respected (and covered) songwriters and musicians of our times, Allen Toussaint is the man who singlehandedly did more for his home town of New Orleans than any government, aid organization, corporation or individual did. In the wake of Hurricane Katrina’s destruction, one of the many things he did was to raise awareness AND to raise $9 million to benefit the long-term relief efforts through a huge concert held at Madison Square Garden and Radio City Music Hall (two locations, at the same time!).

MSG (the network channel) presents a one hour documentary called “The Concert for New Orleans Remembered” (premiering Wednesday August 29th at 10pm, on MSG of course) featuring behind the scene and concert footage by himself, Clarence “Frogman” Henry, Irma Thomas, Elton John, Dave Matthews, Lenny Kravitz, Cindy Lauper, Elivs Costello (whom I had seen Toussaint perform with two years ago during their duo tour in occasion of a private performance within the Tribeca Film Festival) and many others.

To promote the premier of this wonderful documentary (which I urge you to see on TV or get on DVD), MSG hosted a private & performance at the newly (not yet officially) opened jazz club Lola Is Soul.

Although poorly amplified and drowned in disrespectful chatter by people who were obviously there for the free food (which was delicious) and the open bar, the performance itself was fun and touching at the same time. Mr. Toussaint is a great piano player, talented singer and superb songwriter. He is one of the smartest individuals you’ll meet and he does everything he does genuinely and with the heart. The same passion went into tonight’s solo piano & voice performance of his, during which he manned the sustain pedal with his left foot (which I never saw anyone else doing), hit the 88 keys in all ranges of dynamics and pitch and poured his heart out while singing some of his most memorable compositions into the non-boom microphone stand on his right side.

As a cake-topping cherry, Mr Clarence “Frogman” Henry (who was in the house for the event) took the stage with his walker, sat down, and sang a few pieces (in his regular, falsetto and super-low frog voice) accompanied by Allen.

Truly a memorable event, filmed on site by a camera crew (so we might see some of it on TV at some point) and luckily immortalized (in a more grand version) in the MSG Originals documentary, where Frogman and Toussaint also played together.

I highly recommend you check out the concert, which has great footage, photography etc and I just as strongly recommend that you check out this new (yet historical) jazz/soul/blues venue in town (in its new and gorgeous downtown re-incarnation). They have a great food menu which is sure to please, great staff and management, beautiful  interior design and hopefully a good sound system.

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha