The new CD of San Diego-based duo AntiQuark has been released in physical and digital format.

They had asked me a while ago (when they were still a female-fronted duo) to do a remix for them and I did. Now that the main composer of AntiQuark (Ant) got herself a new singer (Sergio) they are ready to attack again with their mixture of electronica, dance, experimental.

You can check it out and/or buy it here: http://cdbaby.com/cd/antiquarkmusic

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NJ-based Echstream put up a great show yesterday night at Andrew W.K.-owned Santos’ Party House (basically a big Soho dance club with a good sized stage, two bars, big pillars, great sound system and impressive array of hanging speakers – not used for the live performance).

I had heard their records (now available in a remastered version) but I am happy to report that the album translated well on the stage (unlike some other similar bands who without the studio production inevitably lack live). This is probably in part due to the fact that Echostream gainfully employ, not one, but two drummers (female on acoustic drums and male on electronic). The female fronted five-piece is also backed by a skilled and glamorous Japanese guitarrist and by the main songwriter of the band Tony Grund who plays bass lines and synth lines on a small midi controller that he juggles around on a duck-taped stand as if it was the joystick of a sick action game. Last but not least the female Japanese lead singer also does a great job at keeping the crowd excited and paying attention to her melodies and words.

Speaking of crowd, the young NY goth and loli-goth scene was all there to represent, dressed in either rigorously all black or in sparkling, super colorful short and tight outfits (imagine Tokyo fashion meets Berlin Love Parade). Given the headliners (the Japanese electro-rock band Blood) the audience was made up of a substantial Japanese envoy. The event was organized by Tainted Reality, who did a great job at putting it together.

I didn’t stay for the other bands (when the Australian Japanese duo GPKISM took the stage with their monotone all-programmed dance beats, less than impressive vocal performance and cheesy distorted electric guitar one-note-at-a-time lines I knew that was my cue). I never saw Blood and they sound ok when I googled them today but when somebody told me yesterday that they sounded similar to GPKISM, I wasn’t about to stick around through that and DJ SiSen for a possible disappointment.

I think Echostream would probably have turned out to be the best band of the night and that’s who I was there to see anyway. There’s just something to be said for live performances, you know?

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha