Roberto Rodriguez is one of those eclectic NY musicians that excell at many things. Whether he does his electronic-philippino world music show with wife Susie Ibarra or he lets his cuban blood take over on traps, cajon and congas or he plays tribute to his acquired klezmer roots and traditions like a real NY Jew, Roberto always does an excellet job and gives his 200%. Tonight, right now, at Lincoln Center’s David Rubenstein atrium he is doing exactly the same to a packed room and a long line outside!

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Listening to a Conversation with Manfred Eicher, Producer and Founder of ECM Records, interviewed/moderated by critic and author Gary Giddins.
It’s at CUNY on 5th Av and 34ty and it’s about to start.
I am here to learn more about this historical jazz label and to hear a jazz veteran’s take on the state of the industry. I hope that he’s not in denial like many other record label execs… That would be sad.

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the many philosophies and uses of Twitter

I just signed up last week and I am trying to find the best approach.

Would love to get your feedback on that.

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In many European countries royalties are paid to the songwriters (authors) AND the artists (performers) but the United States’ adaptation to this practice has been anywhere between slow and un-existing (probably a result of the fact that terrestrial broadcasters are largely owned by the same greedy corporation). Interestingly in the U.S. digital broadcasters such as satellite, Internet, and cable stations pay royalties to both artists and songwriters, but over-the-air (terrestrial) broadcasters refuse to pay any compensation to the singers, musicians and session players who make those recordings.

The Recording Academy is fighting to include a new performance royalty for artists to be paid in addition to that paid to writers. Last week, The Academy and a coalition of music groups launched a major campaign to turn this call to action into a reality: The musicFIRST (Fairness in Radio Starting Today) Coalition seeks to end the free pass for corporate radio. We call upon all performers out there to get involved at www.musicfirstcoalition.org where you can find more information and make your voice heard in Congress.

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Here’s a review of the show we just did. I did sound for it and I had a ton of fun! You should check out Cyro as soon as you have a chance

Cyro Baptista, Le Poisson Rouge, NY / Live Reviews / This Is Fake DIY

Cyro

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Seriously, not much musically interesting comes out (or has come out for a long time) from Italy… Zu is one of my favorite newly discovered green/white/red bands but aside from them recently this is the only other band I found that was worth listening to.

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Mix Magazine contributor David Weiss and founder of NYC’s newest music and sound creating connection online magazine called “Sonic Scoop” interviewed me about my work with John Zorn.

You can read the interview here:
Borne of John Zorn: Marc Urselli Records NYC’s Marathon Man

or you can download the PDF:

Sonic Scoop interview

Sonic Scoop interview

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maybe this is geeky but being able to cross-post to my WordPress blog, my FaceBook wall and page, my MySpace and my Twitter is just about the most satisfactory blog-related thing I’ve ever done! Feel the love!

Website Publicity:
Don’t worry, you can afford to record when you play black jack online for free using internet black jack strategy from the blackjack help section of GamblingCity.net!

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Just wanted to say hello to all those who have checked out my newly re-designed website or who are following me on Twitter.

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha