I love snow. Maybe because it reminds me of my native Switzerland.
After the 15″ overnight snowfall, here’s a picture I just took this morning of a fellow NYer excited about snow: he’s cross-country skiing (or more like cross-neighborhood skiing) through Brooklyn!
I would do the same with my snowboard if I had a friend towing me with an SUV butmy buddy Roman is kitesurfing in the carribeans and so I decided to head to the alps… if planes are taking off that is… Cross country… I mean, cross fingers!

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I’ve been wanting to see Ken Butler play live forever but never had a chance and I just learned that he was batteling cancer and hence was absent from the scenes. Luckily he said that he survived it and he seemed in good health.
For those who are not familiar with him pick up his CD on Zorn’s Tzadik records or check out kenbutler.com
Ken is an amazingly creative individual who builds his own instruments out of tennis rackets, walking canes, kitchen and home utensils and a ton of other parts. He basically will put a contact microphone on anything that makes a sound and make music with it.


On this show at the Williamsburg gallery Sideshow he was accompanied by a trio of great percussion players (including Mathias Kunzli), an oud player and his artist/loft-mate on upright. All these instruments definitely gave the show a very groovy orientation and often times the tribal excitment offered by the two djambé’s made the crowd shake it a bit too (pretty unheard of for an experimental music concert, if you know what I mean).
Ken performed about a half a dozen pieces, usually a pedal on a chord with somewhat of a structured theme and a lot of improvisation. Every piece was based around an instrument and the crowd roared every time he picked up a new one. From guitar-like objects with one or two necks made from tennis rackets, canes and hockey sticks to banjo-looking objects made from pots, canes and other materials to umbrellas, knifes, paint brushes, swords, cloth hangers. Everything pretty much was either plucked or picked as if it was a guitar or bowed with an arco as if it was a violin. He even played a bow with another bow and then finished by playing his pants’ zipper and knocking on his head while teething a mic.
It was definitely an impressive and interesting array of sound-making devices from one of the most interesting artists around.

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I won’t hide the fact that I think John Zorn is one of the most amazing composers out there so for me it was a real treat to be able to not only see him perform but work with him. On Wed the 17th and Thu the 18th the Lower EastSide theather Henry Street Settlement, also known as Abrons Art Center, hosted an incredible two nights of Zorn music performed by 10 different ensembles. The two evenigs were curated by Zorn who chose the music and the musicians. Every night five 20 minute sets entertained the crowds for 2 hours and showcased some of Zorn’s mighty vast and versatile body of work. Although for me as a live sound engineer it is obviously much harder and more work (10 stage changes, 20 if you consider the rehearsals) I still feel enormously priviledged to be a part of this incredible experience. Those who were present know what I am talking about and those who don’t should try to go to Montreal July 1st or Milan on Nov 8th for thr next two Zorn festivals of this kind. It’s truly the best way to experience his versatility and the vast array of differing moods, nuances, genres of his material.

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Derek Sivers (the founder of CDBaby, for those of you still caressing the ceiling of that rock…) is one to follow and to read…

While he is working on his new amazing project that will bring outsourcing to music people, he still offers advice and lessons, like in this blog post and you tube video:

Leadership Lessons from Dancing Guy

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My NYC based friend, kitesurfer and film/tv/video wizard Oliver has been laid off and decided to give it all up for now and live life on the road. He bought a great big old van with a bed and a kitchen (as well as an axe and a shovel on the roof and many other great features!) and is about to embark in the trip of a lifetime…

He packed his kitesurfing, surfing, snowboarding, video and photography gear and he’s all ready to go!

He’ll be blogging and adding pictures and videos at VisionQuest.me and I’ll be following what he does, where he goes, what he tweets…

I took some pics of him on his mean-looking truck tonight after his farewell party tonight in Manhattan and I wanna wish him all the best!

Oliver is looking for sponsors and is probably going to make this into a movie, which I am sure will be worthwhile watching!

Good luck out there Ollie!

PS he’s a really nice guy, I told him to pose like a red neck macho! ;-)

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha