Before the music ends up free on torrent websites and p2p networks like LimeWire, we all have tried to find the best option to get our music distributed online. There are a ton of options for artists wanting to sell tracks, and everyone wants to be on iTunes, and Amazon mp3 is becoming increasingly important to be on.

I have been considering creating a comparison table for them. So far online I’ve only found one such table (by Moses Avalon, whose interesting book I did read) but it is by no mean comprehensive and misses one of the biggest movers and shakers in the industry.

I was wondering what you guys use and what your favorite is…

Here are some of the major players:

SongCast

TuneCore

Reverb Nation

CD Baby (acquired by Disc Makers)

And here are some articles with other options:

7 Ways to Sell Your Music on iTunes on Garage Spin

Digital Music Distributors Redux by Steve Wilde

Choosing a Digital Music Distributor by Jamille Luney

Exploring the Digital Music Distribution ‘Jungle’ on Buzzsonic.com

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  4 Responses to “Online Digital Distribution & Aggregators options & comparison”

  1. And, after a year and a few months, I have figured out that Reverbnation is a bit of a scam. The fee listed here is wrong because its almost double that amount or 60 bucks annually…however, they not only charge a $50 take down (making your so called one time payment, 50 dollars more than that initial amount spent), there are also fees taken for every transfer of money to your paypal account. Therefore, no matter what at Reverbation, you are spending $110 to set and take down each release. Its not reflected in any of the sign up document and they added it on to the FAQ a few months after I initially signed up…But I was not happy with that system. Forget about the fees, they hardly got our product anywhere that cant be done at any other aggregator and/or distributor. They have great marketing tools but this where and how they scam money from artists. Which sucks because obviously as a young artist, trying to grow in this industry, every penny counts. And, its hard to read thousands of lines of fine print like they have in their FAQ section. The fees they take are very easy to overlook even now…I was honestly shocked a company with so much going them, acts that way towards young bands….as if its not hard enough to break into the marketplace, you have look over your shoulders at your own partner because Reverbnation is not at all forthcoming about these fees….not even remotely…they hide it….and that sucks because I could have gone to every other company, that would and does not act this way towards artists. Most companies do not take advantage of young artists, but this company is a nightmare with regard to digital distribution. I am telling you its a nightmare to deal with their digital services. Its very hard. Let alone you will not get paid on time. Its now 8/11 and I have had money due to me since 8/5. And, they refuse to deal and/or answer to it. Its very hard…and I know they are scheming some way to keep that money…which is incredible to do to young artists in this industry today….

  2. Hi Marc,

    The current cost for Digital Distribution subscriptions are $34.95 for the Essentials Package or $59.95 for the Pro Package. Our distributor charges a takedown fee of $30 for the Essentials Package or $50 for the Pro Package to remove your release from the retailers upon cancellation of the service. ReverbNation keeps none of the takedown fee; 100% of the fee is paid to our distributor ( http://www.reverbnation.com/controller/artist/distro_faq#e1 ). This information is included in the Terms & Conditions of the service that were agreed to upon submission of your releases. Withdrawals from the ReverbNation Bank are handled through PayPal and are subject to standard PayPal withdrawal fees. PayPal receives this fee; ReverbNation does not.

    With regards to your Available Balance issue, we have recently added security measures which do not allow for label accounts to withdraw funds from artist accounts; they can only withdraw from their own bank. If you would like to withdraw funds from the artist’s bank, you must log in to their actual account. Doing so will allow you to click the ‘Pay Me’ button and withdraw funds.

    I hope this addresses your concerns! I know that you have our support email address as we have corresponded about all of the above information on a few occasions, so feel free to let us know if you have further questions!

    Thanks,
    ReverbNation Staff

  3. Im really surprised you didnt mention RouteNote as we are the leading digital music distributor in the UK.

    RouteNote has both Free and Premium options for artists. Free option has no upfront fees and artists keep 85% on the backend. Premium option artists pay a small fee and keep 100% royalties.

  4. I didn’t mention RouteNote because I didn’t know of it, so thanks for the plug, since it makes the list more extensive.
    Do you operate only in the uk?

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha