I usually don’t post about who, what, when and where I work with in the studio because some artists don’t want for that information to be out, at least not until after their recording is released, but since somebody else did, I’m happy to repost the article.

In this article on Sonic Scoop, New York City establishment Avatar Studios highlighted some of their latest clients and mentioned me in conjunction with a recording session with Lou Reed that we did there. The song (which the article also mentions) was subsequently mixed by myself at EastSide Sound Studios in New York City.

You can read the whole article here (http://www.sonicscoop.com/2011/02/14/lou-reed-kurt-elling-bobby-mcferrin-recording-at-avatar/)

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The beautiful “Homeland” album I worked on by the amazingly talented Laurie Anderson was nominated for a Grammy this year. Unfortunately we did not wind and Jeff Beck (whose guitar sound I had the pleasure to mix 5 years ago) got the Grammy instead.

My congratulations go to Beck for another win in his career and my best wishes go out to Laurie, one of the most ground breaking pioneers of new music, new technology and art out there!

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To be clear, am NOT complaining, I am thankful I have work when a lot of talented colleagues are struggling…
Today I worked 9 hours with Lou Reed in the studio mixing a song at EastSide Sound… then I went to dinner with my lovely girl for her birthday and at 9pm I went to do live sound at a gig for a lively up and coming band called Pants Velour who rocked the house… Now I’m on my way home to do some more show advancing for a gig with the Swiss-American band Grand Pianoramax at SXSW festival in Austin… and finally tomorrow I have a 10am load in for a 10.30pm show with Bryan Ferry in the city so it’s gonna be an early and looooong day.
In the middle of everything I found out that Laurie Anderson is up for a Grammy Award for a her latest and amazing album on which I did engineering work, so I wish her all the best, not only cause it would bring my Grammies to four, but because she is one of the most amazing artists out there and deserves all the recognition and praise!

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Working through my pile, one by one, today I listened to a record I mixed sometimes last year. The album was recorded by someone else in a studio in New Jersey I believe but they weren’t happy with the mixes they were getting so they came through the tunnel looking for a shinier sound at the other end.

It’s a mixture of Jazz and Brazilian music, a combination that young Japanese saxophonist Wataru Uchida has been exploring with the help of producer and bass player Nilson Matta.

Great NY-based Brazilian musicians such as Romero Lubambo, Helio Alves, Cafe Da Silva and Ze Mauricio make up the cast of this album. Eight tunes written by Wataru and by Baden Powell, to whom the album is dedicated.

Check it out.

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My friend Robbie Angelucci (a great italian guitar player who moved to LA 15 or so years ago) has a band called Amberside and they finally launched their website, which has a player featuring two mixes I did for them (“Broken Paradigm” and “Don’t Hold Me Back”)… unfortunately it’s just compressed web-ready mp3s, but I remember being happy with those (uncompressed WAV) mixes and the band is rocking (if you like stuff like Incubus, you’ll dig Amberside!). Check out the songs and their new website at http://www.ambersidemusic.com

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I just did an improv recording session with Michael Bisio today and he handed me a copy of his latest work by the three musicians SKM. I recorded this back in 2008 at EastSide Sound and my colleague Rueben Radding mixed it at Magma Studio. Came out on Trem Azul’s Portuguese label Clean Feed this year. At least three more records featuring ex-Seattle resident now NY-based bassist Bisio will be coming out soon (but there might be more that I haven’t recorded and I don’t know of) so keep an eye out for him and also Whit Dickey’s album (which I just tracked today).

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It’s about time somebody stole the thunder from that psycho who inhabited my homepage for over a month now (I’ve been on vacation and “unplugged” a bit, hence the lack of postings…).

I just wanted to share this video with you. It’s a live recording of artist Daniel Wayne live at Southpaw in Brooklyn this past May. Drummer Brent Follis produced the video, which is a nice multi-camera shoot made with the latest HD-shooting SLRs and a bunch of smaller flip-camera-like devices. The results are really good, it’s well edited (I love the quick fade from the reflection of the kick drum skin to the back-camera angle) and a great way to see this very valid band.

I was only marginally involved as I mastered the audio but I think everyone did a great job on this production.

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Laurie Anderson's "Homeland"

Laurie Anderson's "Homeland"

Full disclosure: I have worked with Laurie and have worked on this record as well, so I am partial to her music and it’d be hard, if not impossible, for me to say anything negative about such an amazing person and artist. I will however attempt to give you just the facts so you can make an informed decision about whether to purchase this CD or not (spoiler alert: you most definitely should!).

Laurie Anderson needs no introduction: a visionary, a pioneer, a true and complete artist whose approach to art encompasses music, story-telling, visual arts, sculptures and more. Her previous studio album “Life on a String” came out in 2001 and she’s been busy touring, writing new material while on the road, releasing a book, creating videos, installations, pieces for museums and being actively involved in a number of other artistic and political events.
If you’ve been a fan of her work, the long wait for a new studio album is about to pay off. “Homeland” is possibly one of the most versatile, complete, personal and mature records in her discography. It is also possibly one of the most political ones. This might come as no surprise if you consider that her previous release was the 2002 double CD “Live in New York” recorded less than 10 days after 9/11 at Town Hall in New York; and that while she was writing new material for this album she’s obviously been heavily affected and inspired by those events and the unfolding of the follow-up war and the “W” parade/tyranny.

On every one of her albums, Laurie Anderson takes you on complex journey through her visions and her ideas. Listeners become the privileged travelers who get to take a peak inside her beautiful mind. This album is no different, with all its great story telling, inspiring words and unmistakable truths. 
With true poets and musical story tellers of our times (people like Bob Dylan, Lou Reed, Laurie Anderson and others) I always feel sad for the non-english speaking people who can’t really fully appreciate such great records until they find a good translation of the lyrics. But especially so with Laurie, even if you don’t speak any english and you were to never look for a translation (which would be a shameful mistake on your part, especially since they do exist!), strictly musically speaking “Homeland” is so gorgeous that you’d probably still end up taking this record to your deserted island.

Its ethereal atmospheres, organic textures, synthetic pads, sub-sonic pulses, orchestral arrangements and worldly influences create a beautiful, timeless and incredibly heterogeneous record. When you look at who’s played on the album, that too should come as no surprise. For the most part the core band on tour and on the record consisted of Laurie playing all electronics and violin accompanied by Eyvind Kang on viola, Peter Scherer on keyboards and Skuli Sverisson on bass; but several songs feature Rob Burger and Kieran Hebden on keys, Shahzad Ismaily on percussions and bass, Omar Hakim, Ben Wittman and Joey Baron on drums and even three mongolian throat singers and igil players. So many musicians have leant their incredible talents to the making of this record in its various and many permutations, that the resulting equation of Laurie’s creative mind enhanced by all these people’s musical inputs rubbing off on her and shaping these pieces really produced a genius’ masterwork. And on top of all of that, other very special guests also leant their talents: Antony on vocals, John Zorn on sax, of course Lou Reed (who also produced this record together with Roma Baran) on guitar and percussions and even Lou an Laurie’s dog Lolabelle on piano!

“Homeland” comes as a CD+DVD. 12 gorgeous audio tracks plus a DVD disc that includes a 41 minute long sort of “making-of” video (featuring interviews with Laurie, the producers and some of the musicians) and a 7 minute long interview with Laurie about her violin.
If you haven’t gotten the point of all of the above yet, the gist of it is: go out and buy this record if it were to become the last record you buy before the music industry completely crumbles!

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Smile Kid :)

“Smile Kid :)”, the second full length album by youg Florida-native band WE the Kings just came out in December. I did some engineering work on it at EastSide Sound and could tell these guys were really talented and had their shit together. The tracks sounded great and their playing was right on. I just heard the record and it’s as powerful, catchy, melodic and good sounding as you’d expect… If you are into radio-friendly power-pop definitely give this a listen, they are great!

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The new CD of San Diego-based duo AntiQuark has been released in physical and digital format.

They had asked me a while ago (when they were still a female-fronted duo) to do a remix for them and I did. Now that the main composer of AntiQuark (Ant) got herself a new singer (Sergio) they are ready to attack again with their mixture of electronica, dance, experimental.

You can check it out and/or buy it here: http://cdbaby.com/cd/antiquarkmusic

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Akino Kodoh film exhibition in Tokyo

For those of you in Tokyo, NY-based Japanese artist Akino’s first solo exhibit “KiyaKiya” is being held at Mizuma Art Gallery in Tokyo from Oct 11 to Nov 12.

Her beautiful drawings can be seen in a new animation movie with music by John Zorn and I actually worked on the music and the sound design for this film with Zorn.

The present exhibition includes Kondoh’s new animation work “KiyaKiya” as
well as drawings, oil paintings and sketches. The term “KiyaKiya” comes from
the old Japanese expression “mune ga kiyakiya suru.” Kondoh first
encountered it in Shibusawa Tatsuhiko’s “Introduction to the collection of
girls”in the chapter written about “childhood experiences.” This expression,
which describes “an enigmatic, nostalgic, disturbing feeling,” or an
impression of “deja-vu”, is at the origin of the “KiyaKiya” series.

In the animation, a girl is performing “kamishibai” (a traditional Japanese
picture-story show). When the artist noticed the time gap between the front
and the back of the illustration cards (the episode of the story the
audience is listening to is written on the back of the previous card; that
is to say there is a 1 page difference between the front and the back of the
“kamishibai” cards) she says she felt the possibility of a different
dimension hidden right behind the everyday life.

Three worlds simultaneously develop in the work. The same girl, who exists
in the three of them, lives all three different times. These tracks curve
slowly, eventually colliding and switching directions and she continuously
circle these orbits in an endless repetition.

In the present exhibition, you will experience a uneasy and nostalgic
feeling, as if you had long forgotten an important something and were about
to remember it. Some memory locked down in your heart might very well
resurface.

At the exhibition, her first catalog “KiyaKiya” will be presold at the
gallery.

Title:Akino Kondoh Sketch Collection “KiyaKiya”
Book design:Bunpei Yorifuji
Release Date:2011/10/25
ISBN:978-4-904292-16-7
Product Dimensions:deformed A5/paper back/single-side/4 color/rounded
corners
Page:402page
Price:2,300JPY(no tax included)

It’s the first catalog by KONDOH Akino
with 200 sketches for new animation “KiyaKiya”.
Book designed by very popular designer Bunpei Yorifuji.
recreated original drawings with 4 color on a sheer paper
is beautifully overlapped as one book.

Exhibition information
KONDOH Akino “KiyaKiya”
October 11 (tue) - November 12 (sat), 2011 (closed on Sun., Mon. & Holidays)
Opening Reception: October 11 (tue): 18:00-20:00

Mizuma Art Gallery
2F Kagura Bldg., 3-13 Ichigayatamachi, Shinjuku-ku, Tokyo 162-0843 JAPAN
tel: +81.3.3268.2500/fax: +81.3.3268.8844
http://mizuma-art.co.jp

http://mizuma-art.co.jp/gallery_info/index_e.html

KiyaKiya
2010-2011
single channel animation video
6 min. 39 sec.
Courtesy the artist and Mizuma Art Gallery

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© 2009 Marc Urselli Suffusion theme by Sayontan Sinha