Apr 162013
 

John Zorn is unquestionably the most interesting and advanced composer of our times. Although he looks 45ish this year he actually turns 60 and to celebrate he is doing a number of concerts all around the world, in different countries every month, all year long.

I am lucky enough to be the one doing sound for these complicated multi-band shows (think 9 bands in 3-4 hours with 5 min stage changes). As challenging as these marathons are to mix and advance, they are absolutely AMAZING to watch and if it is the one thing you travel for this year I would highly recommend catching one of them in Europe this summer.

The first one of the series of 2013 Zorn at 60 marathons took place last week at the Walker Art Center in Minneapolis, MN.

I don’t usually repost other people’s reviews, but this enthusiastic concert goer has some good videos and since I was too busy doing sound to be documenting the show I thought I’d post his reviews with videos so you can see what you missed:

Concert Review: John Zorn Marathon at the Walker Art Center 4/6/13 – Part 1: Book of Heads, Hockey, Cobra, Composer Q&A – Concert Manic!

Concert Review: John Zorn Marathon at the Walker Art Center (4/6/2013) – Part 2: Masada – Concert Manic!

Concert Review: John Zorn Marathon at the Walker Art Center (4/6/2013) – Part 3: The Concealed, Nova Express, Aleph Trio and The Hermetic Organ – Concert Manic!

Jul 292012
 
Japanese mastering engineer and writer Seigen Ono has interviewed me a month ago or so for the leading Japanese pro-audio magazine PROSOUND.

The interview is mostly about the making of the latest album by Hikashu (the famous avantgarde prog rock band from Tokyo fronted by the great Makigami Koichi), which I recorded and mixed.
Unfortunately I can’t read Japanese but the interview looks great and has a lot of pictures of myself in EastSide Sound, my studio in NY where I recorded and mixed Hikashu’s album.
Enjoy!
Apr 152012
 

I’ve recently had the pleasure to record and mix the (I believe) 20th or 21st studio album by the popular Japanese avantgarde-rock band Hikashu, fronted by the great and eclectic Makigami “Maki” Koichi (vocals, theremin, jew’s harp, cornet), whom I had met while working on the latest DVD album by Ikue Mori (on Tzadik).

Hikashu’s new album is called “Uragoe” and the cover art work is by Tabaimo.

I recorded it at EastSide Sound Studios in NYC after their performance at Japan Society in NY last year. I just recently finished mixing it (also at EastSide Sound) and the famous mastering engineer Seigen Ono mastered it for CD and Super Audio CD at Saidera Mastering.

The album can be purchased online from HMV Japan.

I’ve been interviewed by their official blog’s curator Nori and you can read the interview at the following link: Hikashu Appreciation Society: An interview with Marc Urselli – the engineer of Hikashus “Uragoe”.

Sep 122011
 

Last week the Dublin based band I am producing (www.preachersson.com) came to New York City and we recorded three new songs for their great upcoming album. We hired drummer/percussionist extraordinaire Kenny Wollesen for some overdubs and the stuff came out great!

Sonic Scoop reported on it:

Session Buzz: Who’s Recording In & Around NYC — A Monthly Report : SonicScoop – Creative, Technical & Business Connections For NYC’s Music & Sound Community.

Feb 192011
 

I usually don’t post about who, what, when and where I work with in the studio because some artists don’t want for that information to be out, at least not until after their recording is released, but since somebody else did, I’m happy to repost the article.

In this article on Sonic Scoop, New York City establishment Avatar Studios highlighted some of their latest clients and mentioned me in conjunction with a recording session with Lou Reed that we did there. The song (which the article also mentions) was subsequently mixed by myself at EastSide Sound Studios in New York City.

You can read the whole article here (http://www.sonicscoop.com/2011/02/14/lou-reed-kurt-elling-bobby-mcferrin-recording-at-avatar/)

Jun 042009
 

Italian musician and journalist Andrea Ferraris interviewed me for Sodapop, a popular online music magazine (in italian).

If you can read the three-color language and you are interested in my prolix answers, you can point your browser here:
http://www.sodapop.it/rbrth/content/view/590/9/ 

(there is no english version for this, except of course a crappy automatic google translation)

Feb 262008
 

I recently mixed a song for “The Desert Mothers”, a project by west coast musician Spencer Critchley. This song was recorded and mixed using exclusively the eSession.com service with musicians from everywhere in the country submitting their tracks online. I too received the files and submitted my mixes online.

An article published in O’Reilly Digital Media by Spencer Critchley himself describes the entire process and highlights the advantages of the eSession platform.

http://digitalmedia.oreilly.com/2007/12/13/esession-online-recording-for-all.html

Mentions of me are on page 7 and 8.

The finished product is also available for listening and purchase at The Desert Mothers‘ website. You can buy a download of the track or you can buy an enhanced CD (including instrumental and ac-cappella mixes, chord charts, lyrics and art) from CDBaby.com

Jun 192007
 

Chasing Sound! Les Paul at 90I have signed a few release forms before, mostly for documentaries shot in studios I was working at, but this is certainly the biggest of those movies and probably the one I am most proud of. One of the few (maybe the only) authorized feature-length biography films about the man who started it all, “Chasing Sound! Les Paul at 90″ was shot in HD by producers John Paulson, James Arntz and Glenn Aveni.

I remember those days clearly. The producers were setting up cameras: I was setting up an audio feed for them while setting up for my mix of the Sam Cooke with Jeff Beck song “Good News”… On another day of shooting David Fricke (senior editor at Rolling Stone magazine) was interviewing Les and producers Bob Cutarella and Fran Cathcart were talking to everyone, answering questions left and right. Believe it or not, the wine-red Les Paul guitar with Les’ and Buddy Guy’s signatures on it that Les is hugging and holding in his lap in the movie and on the front page of the Rolling Stone article, was my first Les Paul guitar ever – thanks to my buddy Carlos Cartagena from the Truents who gave it to me!).

I missed the premiere + show of the movie that took place June 13th so I haven’t even seen the film yet, but I will make sure to see it when it premieres on PBS, July 11th at 9pm (EST) and I will buy myself a DVD of it as soon as that is released.

In the meantime you guys can all check out the official Les Paul film website as well as the trailer here: