{"id":453,"date":"2009-12-19T06:03:31","date_gmt":"2009-12-19T11:03:31","guid":{"rendered":"http:\/\/www.marcurselli.com\/2009\/12\/19\/eyvind-kangs-6-channel-5-mic-solo-viola-setup-overkill-no-just-killer-sound\/"},"modified":"2009-12-19T06:03:31","modified_gmt":"2009-12-19T11:03:31","slug":"eyvind-kangs-6-channel-5-mic-solo-viola-setup-overkill-no-just-killer-sound","status":"publish","type":"post","link":"https:\/\/www.marcurselli.com\/blog\/eyvind-kangs-6-channel-5-mic-solo-viola-setup-overkill-no-just-killer-sound\/","title":{"rendered":"Eyvind Kang&#8217;s 6 channel 5 mic solo viola setup. Overkill? No just killer sound!"},"content":{"rendered":"<p>Luckily there are still musicians out there who care about &#8220;the sound&#8221; and are willing to experiment to get there. The incredibly talented Eyvind Kang is one of those and I was excited when he called me and told me he wanted to check out different mic positions and try something new and unusual. When I told my assistant to set up 5 mics he looked at me weird and thought it was overkill given it was just one instrument.<br \/>\nThe sound we got was beautiful and rich!<br \/>\nThe JZ Mic Black Hole was the close-mic of choice. I also had a stereo Rode NT 4 in front of the instrument, a few feet away, and then a Rode NT2000 and Fet 47 and a 414.<br \/>\nRecording one viola with 5 microphones on 6 channels was a new experience for me. Once I checked phase correlation, I mixed the signals and the result was impressing. Fascinating how different all the positions and mics sounded. Subtleties, richness and qualities of Eyvind&#8217;s unique instrument were beautifully captured in this way and when you complement that with his incredible playing the result was really stunning.<br \/>\nLook out for the one and only Eyvind Kang&#8217;s new record (produced by Jessika Kenney and himself) sometimes in 2010. <\/p>\n<p><a href=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/p_1600_1200_EC1D77D8-2054-4717-8E76-25AF095940E0.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/p_1600_1200_EC1D77D8-2054-4717-8E76-25AF095940E0.jpeg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-full wp-image-364\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/l_1600_1200_72920DF7-0B3B-4EA7-ADF7-647485910F3C.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/l_1600_1200_72920DF7-0B3B-4EA7-ADF7-647485910F3C.jpeg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-full wp-image-364\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/p_1600_1200_36164919-61C6-4F91-B355-601FF3418E8D.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/p_1600_1200_36164919-61C6-4F91-B355-601FF3418E8D.jpeg\" alt=\"\" width=\"225\" height=\"300\" class=\"alignnone size-full wp-image-364\" \/><\/a><\/p>\n<p><a href=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/l_1600_1200_26BE1335-61FE-4C6C-9BB9-457A77263589.jpeg\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.marcurselli.com\/blog\/wp-content\/uploads\/2009\/12\/l_1600_1200_26BE1335-61FE-4C6C-9BB9-457A77263589.jpeg\" alt=\"\" width=\"300\" height=\"225\" class=\"alignnone size-full wp-image-364\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Luckily there are still musicians out there who care about &#8220;the sound&#8221; and are willing to experiment to get there. The incredibly talented Eyvind Kang is one of those and I was excited when he called me and told me he wanted to check out different mic positions and try something new and unusual. When [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-453","post","type-post","status-publish","format-standard","hentry","category-recording"],"_links":{"self":[{"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/posts\/453","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/comments?post=453"}],"version-history":[{"count":0,"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/posts\/453\/revisions"}],"wp:attachment":[{"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/media?parent=453"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/categories?post=453"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.marcurselli.com\/blog\/wp-json\/wp\/v2\/tags?post=453"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}